#4: Dancing in Tate Britain

As a reaction to the rigid structure of the building, the subdued watching habits of the public and the tendency to expand my empire I decided to dance! We talked about the possibility to dance on the present sound, but in that way it rather seemed a performance than an intervention. For me the most interesting aspect was to create a parallel way of looking to the artworks.

I listened to music of the following artists: Andrew Bird, Madonna, The Gossip and LMFAO.

By wearing earplugs, I isolated myself from others and created a different space. I noticed this especially in the connection to the paintings. The figures were stripped from their importance, no kings, queens, counts and godesses no more. They became people to flirt with, to give comments on their (lack of) clothing, and to small talk with. They’d probably liked this different approach, at least I did.

The more contemporary pieces on the other hand gave me more space to dance. Their abstract features made it less narrative, so I started dancing exuberantly. PARTY!

Also the presence or lack of people had their share in my way of dancing. I noticed some people laughing at me or even filming my dancemoves. It felt a bit uncomfortable, but I decided to neglect them. It felt good nót to be unnoticed, but I decided that this shouldn’t influence my concentration. At one point, two young people started to kiss, at that moment I really felt the presence of a parallel party.

So I danced and danced and danced and danced.
SORRY FOR PARTYROCKING!!!!!

Video:© FvL